I have been following the work of Janice Caswell for a while now.Her drawings and installations represent mental maps, an investigation of the mind’s peculiar ways of organizing memories. She attempts to trace the edges of recalled experience, plotting the movement of bodies and consciousness through time and space.
Basic human function rests on the brain's ability to recall physical and mental action. A lucky minority of humans is born with a so-called photographic memory, some, unfortunately, lack a healthy functioning memory, while the rest of us rely on our varied capacities for retaining information. Although memory can make or break you professionally, socially, romantically, and academically, it never fails to produce a portal though which you can time travel to the best experiences of your life. But why are some memories more vivid and others more vague? What if there was a way to interact with your memory and monitor its internalization of your life, or at the very least, witness how image and action are eventually stored in the brain?
Stemming from this idea of securing experience, Janice Caswell's "Lay of the Land" features a three-dimensional glimpse of what memory could look like in a physical space. Caswell is inspired by the concept of mental mapping, or, how the brain organizes memory. She uses various media, including beads, paper, ink, and pens, to create imagery similar to what "retracing your steps" might look like with a skilled and artistic twist. The viewer looks at her work assuming an aerial view, almost as if they were invited to investigate a microchip that stored Caswell's personal past.
"Vegas Baby," represents Caswell's experience while attending a convention in Las Vegas. Representing buildings with varying sizes of squares, and paths of travel represented by beads mounted on pins, she is successful in re-creating a rooftop view of her many encounters. She uses a pastel palette of paper circles of varying size to mark individual instances of experience that have been embedded into her conscious memory. The viewer is aware that these circles represent something to the artist, but are left in ambiguity and wonderment. Clusters of circles could possibly mean one thing, but to Caswell it means another.
"Alternate Realities," on the other hand, illustrates less of an actual memory and more of a hypothetical one. Caswell envisions a colorful map that signifies alternate paths of life she could have led.
Other titles include, "Broken Verses" ,"The Book of Salt" and "Resistance."
Related Links:
1.Janice Caswell's Mental Maps
2.Mental Maps