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Policy for U'khand Film Industry is need of the hour!





Policy
for U'khand Film Industry is need of the hour!



By
Jayprakash Panwar "JP"


It is an ironic situation that the Uttarakhand government is not taking the
regional film industry in a serious way. The latest agitation and hunger strike
by the artists and regional film community is an inevitable action against the
decision makers. So far, no such window exists in the state where the film
community can seek help and advice from the government. It is a dilemma for the
community where to go? Whom to ask? And, how to go ahead? The potential for the
regional film industry and associated employment is abundant. It is expected
that the annual turnover of the regional audio-video production is more than Rs
100 million in the state.

The film industry of Uttarakhand is unorganised and the time has come for it to
organise as that is the next step for inevitable growth of the sector.

In India,
today, 50% of the total revenue is based on the regional film industries, which
means the share of Bollywood is just confined to 50% and the rest is dependant
on regional films. The Uttarakhand government should not forget that there are
so many countries in the world whose population is far less then Uttarakhand
but they have an advanced film industry, film board and institutions.
Uttarakhand with its 8.5 million population provides a huge potential for
regional film and film software production, employment and development in the
the future, if the government were to develop an organised environment for the
development of local film talent. In the UK,
US and Canada,
Bollywood films are generating good revenue even with the relatively small NRI
population. The recently organised Uttarakhandi NRI events New
Jersey
, America
has shown the potential our artists have. They attracted a large number of NRI
Uttarakhandis from the US, Canada, even the UK. Now, Narendra Singh Negi,
Girish Tiwari 'Girda', Professor Shekhar Pathak and new generation artists like
Pritam Bartwan and Dangwal are going abroad to give their cultural
presentations.

The taste of the audiences is also changing across the world and they want to
films from different regions with subtitles. The international film festivals
are also giving space to regional and local films of the world. The artists and
the film community of Uttarakhand are growing on their own way without any
support of the Uttarakhand or Central government. Uttarakhand is a progressive
state of which about 40% of the community lives outside and it is hungry to
keep in touch with the roots by any means. Films are one of the best media
which can play an intermediary binding role.

The new digital technology has given tan opportunity local artistes to transfer
the cultural knowledge into digitally produced forms like VCD and DVD with
multilingual titling. The opportunity for the regional film industry not just
confined to the region, it has a global scope. The Uttarakhand government
should not forget the potential of the audio-visual media as compared to print.
Nauchami-Narayan was just an alarm to awaken the dysfunctional system and
governance. This example does not mean film-makers will always be against the
government but it does indicate the spread and popularity, as well as the
potential of the new digital media. There are about 16,000 villages in the
state with television sets as well as VCD and DVD players. If you calculate the
number of television sets by the counting number of families, a surprisingly
large number results. Now, almost every village is electrified and there is no
other means of entertainment. The regional films and VCD album have given them
a new way of entertaining themselves. The demand for such films and videos is
increasing by the day. Whether the Uttarakhand government considers this the
reality or not, the organisation, proper legal framework and policies, strategy
for regional film development and encouragement of regional talent pool are the
need of the hour.

It is necessary, therefore, for the government to consider this matter
seriously and form a regional Film, Television, Radio and New Media Board to
facilitate the process of regional programming and production. In the first
stage, government can initiate a state level body to serve all audio-visual
media by establishing a facilitation centre or a single window system for
permission and government assistance for shooting, registration of production
firms and companies, registration of writers, directors, editors, producers,
lyricists, singers, actors and technicians. The announcement of annual awards
for the best audio-visual work and holding of regional, national and
international film festivals annually would encourage film-makers. The
screening of such films in all film theatres of the state, at least for one day
in a week, could be made mandatory. All this would not entail a huge economic
burden on the Uttarakhand government. There is also the need for a regional
bench of the Film Censor Board in the state, for the facilitation of
certification of regional films and other related production.

(The writer is a freelance journalist and a documentary film maker - presently
a Ford Foundation media and digital film art fellow at the Australian National
University (ANU), Canberra,
Australia
.)

Published in Garhwal Post (Please follow the link below)



http://www.garhwalpost.com/news_detail.php?news_id=2609







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Nostalgic poem

A memorable and nostalgic poem from my friend Jagmohan Singh Jayara “Jigyansu ji”.

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My potrait




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Visual media for social change



Hi Friends,

Please have a look on following web links, which takes you to my old
work (it is crap in terms of video quality) which is 4 to 8 years old. I
found this accedently in YOUTUBE. It will give you an insight about the
use of visual media in social change. The present weblink is about the
social and environmental movement in the Uttarakhand Himalayas. Fortunetly, I have
recorded this in the VHS and mini DV long years ago. Now the social
activists are using these clips for social and environtal campaigns.


Links are as follows:


Gangotri Glaciers Campaign


http://www.youtube.com/watch?v=7vVtoXNgmlw


Nandadevi campaign


http://www.youtube.com/watch?v=CesC6xH0-YU


http://www.youtube.com/watch?v=GXnAcTS8Ais&mode=related&search=


http://www.youtube.com/watch?v=qoLslHVvlYo&mode=related&search=


http://www.youtube.com/watch?v=qoLslHVvlYo


cheers,

Jayprakash Panwar’JP’






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"MELBOURNE"

a review of a travel documentary

The Melbourne documentary is a fantastic visual travelogue which takes you near to the community around Melbourne city. First, when you look the getup of a packed DVD you feel that it must be about a historical and socio-cultural account of a second largest city of Australia.However, when you insert the disc in to DVD player you get surprise that it is a travel series without any historical background. It is like a more television travel series rather then a hardcore investigating documentary. It is good for them who are fascinated to see different cities of the world in a romantic and playful mood. In that way Melbourne, travel documentary gives you a fresh account of the city. I personally think that such documentaries are good for current series, because after a long time the freshness goes out of the scenario. The presenter Asha Gill looks more girly and hip hop kind of personality, it could be due to the demand of the television series. The second interesting thing is that this documentary highlights the multiculturalism in the city. Food, wine, sports, arts and cultural interaction are the few issues which have taken by the producer and presenter. 

The narration quality is some how manageable but not very attractive
or audience friendly. It could be better if some one else then Asha gives the
voice to this documentary. The narration which is mixed with music distracts
audience in many places. The sound quality of interview is also not very clear
in many segments. The hand held camera work is excellent but some segments
uncontrolled jerky shots distract the flow. The street shots especially the
visitors and local people are not well framed in the camera and also jerky, but
used very often in the documentary. However, the editor has done good job to
make a smooth flow of the documentary. The use of current music during shooting
is fine but the quality of recording is not up to the mark. In that, way the
shooting team has missed the charm and chance of live music recording during
the shooting around the city.

Finally, the Melbourne documentary is a good document for fun loving tourist and young generation. It doesn't give much hope to serious audiences or documentary lovers who are interested to see historically rich Melbourne. Furthermore, the present documentary is much more a part of a travel series for current viewers in television and it has no potential and attraction for future viewers.

Documentary description

Name: Melbourne    Copyright:

Lonely Planet   Marketed by: SBS

Language: English Time: 47 Minutes                 Format:Pal Colour / DVD  

Reviewer:
Jayprakash Panwar 'JP'


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Documentary review


"MARCH OF THE PENGUINS"

(A review of a documentary)

It was an obvious choice for "Academy Award" jury members of 2005 to give
recognition to the efforts of a team of "March of the Penguins" documentary. It
is a fantastic story of the life of Penguins surviving in an earth's harshest place called Antarctica. This documentary opens many folds of a life of a living creature. The DVD authorization is also excellent as it tells not only the story of Penguins but also presents the struggle of film crew. This documentary is now available in the video stores
across the world.
For students, this is an eye opening documentary, which provides you a great learning in front of camera and in the background, pre production preparationand post production challenges. In another world, it gives students a handful experience through a documentary film. There are different segments of the documentary available in the DVD format. One segment is a full story telling style of a documentary with English subtitles for hearing impaired and another is a story of film crew. Though there is some more segments are also associated with the DVD, but above two are the most important. In this documentary, we can not deny the efforts of many Antarctica's scientific missions, who have given a thought to the different producers. The especially of this documentary is that it has taken more then 13 months to
complete the wonderful account of the Penguin's life. However, another aspect
of this documentary is that you can feel the good and the bad climatic
condition through this documentary. The producer and the director have chosen a
psychological path to attract viewers. It is like a Hollywood
film with a love story, cleverly chosen to play with the characters of
Penguins. This documentary film reveals the desire and a hunger of sex in the
living beings. In that way the film encourage and makes audience eager to know
what is next? The "March of the Penguins" is like a march of the Penguins to
fulfill their desire of sex and following on to make their society live for a
long. The description of this documentary, which is printed on the back of DVD
cover also, had chosen cleverly. It forces people to bye.

The style of storytelling is excellent; there is no doubt about the quality of
story writing and a matching narration and background music. The quality of
video footage and work of cinematographers is extremely amazing. In totality
this documentary film is one of the best documentary in all aspects, accept in
some places it unnecessarily waist the time. In my view, the perfect running
time of the film could be 70 minutes rather then 80.

Description:

Name: March of the Penguins

Director: Luc Jacquet

Produced By: Bonne Pioche

Marketed By: Roadshow Entertainment and National Geographic

Reviewer: Jayprakash Panwar 'JP'


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Media for Social Change



New Media For Social Change


Historically,
the beginning of visual media and even audio media were used for many
purposes by the different countries. The most miss utilization of this
fantastic media was used for propaganda during World War. This was the
time when this media was trying to developed from its childhood stage.
It is a say that well begin is half done. While in this case, it was an
opposite experience. Time has changed and this media has flourished
with a new technology and today we are talking this by using a new
media language. The whole history of electronic media had seen
different stages of how people, countries and the world has had used
this for their benefit. Today, communication rule the world, it is so
personalized that people now starting avoiding talking to each other,
meeting to each other. I would say it is a kind of psychic air which
almost grabs the people's mind and heart. The socializing factor has
gone in the background. Another factor related with this communication
technology is information, which furthermore considered as a power.
Thousands of people need information about their health, education,
livelihood, and so on. For instance, take the example of HIV/AIDS and
STDs, if people know how to avoid these diseases, this could not be
happened what actually happening in African countries or other part of
the world. If people know that, saving environment means they are
saving all living being including themselves, may be then there is no
need of making "In convenient truth (an environmental documentary by Al
Gore)". It is actually a long debate but what I mean is that the time
has come to think what best use of New Media technology and knowledge
could be? The idea of "Visual media for social change" developed
through all these madness. This is not a new idea, but this could be a
reminder for and could be an alarm for, hey guys what are you thinking
to go ahead with fantasy world? or would you like to give some
contribution back to your society? It is not forcible to anyone or no
one can change the idea or mind of anyone but it could be a serious
question for New Media Artist that, what benefit is you going to do for
society? Is it a technology and a toy for fun loving societies, where
food, health, education, shelter, livelihood is not an issue? My
supplementary question could be the opposite of mentioned question. For
the last few months, I am trying to search all these answers in the
light of the New Media Arts. It was not a surprise for me that my idea
and thinking is most marginalized in the fantasy world of the New
Media. However, being an optimistic and a social activist I will always
advocate for the use of New Media for social change. Today’s discussion
with Eleanor was great in the sense of New Media advocacy.


Thanks,

Jayprakash Panwar ‘JP’






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Story of water: The same wherever you go

Story of Water: The Same Wherever You Go


By Jayprakash Panwar 'JP' It was a stunning experience for me,when I arrived in Australia l in November 2006. In the pre-academic course, my teacher asked me to write an essay about water and Australia. During the literature review, I came across a number of facts and figures about the water crises in Australia. It was mind boggling that before coming to a developed country like Australia, I did not have any idea that I would again come across the harsh reality of water crisis.
Australia is the driest continent on Earth. Scientists warn that by 2070, Australian temperature will increase 6 degrees centigrade. Australia is also a high water consuming country (2,60,000 gallons of fresh water per person per year). For Sydney, itself, which is one of the world's largest cities, the Australian government is planning to invest a sum of $ 195 million to overcome the increasing crisis of water. The federal government will also release $ 1.5 billion for new water projects. Similarly, in Perth, government has completed a water desalination project, which will cost more than twice what people usually pay for water in other parts of the country. Another aspect of the story is that the consensus of the majority (except farmers) is to reduce or stop the irrigation practices along the Murray Darling River, which is the largest agricultural and fertile area in Australia and consumes 70 % of the fresh water.
"I have been living in Canberra for the last twenty-five years but I never have experienced such hot weather and water restrictions in my life before," says Professor Margret Duncley. This year, the Australian Capital Territory of Canberra imposed the third water restriction, which means no one can wash the car, fill the swimming pool or pond and cannot water lawns and gardens. Now global warming is become a political issue in Australia.
However, I want to start this story from my childhood days in my mountain village. Although, my village Punar is situated on the left bank of Alaknanda River, we have always have faced a water crisis. We had a government water scheme operated by the Jal Sansthan but it was never reliable. Finally, we had to go to fetch water from a natural source, which was one kilometre away from my home. Punar also had large irrigated agricultural land, which was among the most famous agricultural terraces (Maletha village near Srinagar Garhwal, Gauchar in district Chamoli) in the Alaknanda river valley and Rama Sarai in Yamuna valley of Uttarakhand. The water source for irrigation was Sujugi Gad (a perennial water stream) which was a part of the Hariyali water shed. The irony is that in the last twenty years of rapid and haphazard development of mountain towns, the demand for potable water has increased dramatically. As a result, the available water of Sujugi Gad has been sucked up by the nearby town (Rudraprayag) through a number of thick pipelines and there no water remains for irrigation of agricultural land in Punar village. The agricultural land in Punar, which once fed the village is now dry agricultural land and much of this fertile land has been sold and people have become dependent on the market. Today, my village people get water only for one hour in a day through a water scheme.
I grew up with the above experiences and after completion of schooling in my village, I went to HNB Garhwal University, Srinagar for further study. Srinagar is also situated on the bank of Alaknanda River. Here, for the first time I experienced the one hour delivery of potable water. If you missed the time, you missed the water. Many times I have had the experience that, if sometimes electricity failed or the water pump did not work, the Alaknanda river bank became crowded with people fetching water, washing clothes and also using it for toilet and bath. During the water crises, I also saw that people started searching for old natural water sources near Khola village and elsewhere.
After finishing my study at the university, I joined a voluntary organisation.
At Anjanisain, Tehri, there was a large gathering of people from different parts of Uttarakhand, gathered for a consultation on the water crises in the mountains. For the first time I came to realise and understand how big the problem was. People think that the mountains of the Himalaya are home to snow and glaciers. Himalaya is also known as the water tower of the world. The common perception is that mountain people don't have a crisis of water. However, when I started visiting villages and towns of Uttarakhand, the picture was gloomy and situation was disastrous. I visited eighty villages of Gairsain block of Chamoli district. It falls along the Ram Ganga river of Dhodhatoli catchment area. I found that most of the villages were under severe water crisis. Hygiene and sanitation was disastrous during the summers. I also came to know that during the 1970s, Sarkot village of Gairsain experienced 72 deaths due to cholera and diarrhea. The main reason was using dirty water for drinking. When I went to visit the villages of Pauri district, I found that people were migrating from the villages; they did not have the option to live in the villages without water. The natural water sources were drying and the government schemes were not reliable. I found the situation to be the same in Talla Nagpur region of district Chamoli and Hindolakhal and Pratpnagar blocks of Tehri where I was closely working with more than 200 villages. Once, I went to see the Bagwaan water lift scheme, which feeds half of the Hindolakhal block. Here, I came to know that there was no water chemist to test the water quality. The post had been vacant for the last six or more years. The water department did not have enough 'alum' to clean the water especially during rain or flood. It causes diarrhea every year in Hindolakhal block and has also killed as well as still killing people every year.
Once, at a meeting of the Himalaya Bachao (Save Himalaya movement) in Srinagar Garhwal, the eminent environmentalist Sunder Lal Bahuguna predicted that the next World War would begin with a water crisis.
However, I have found this a civil war in Uttarakhand. I have come across a number of court cases among villages on water issues and bloody fighting to grab a water source. The famous SWAJAL scheme of Uttarakhand government, supported by the World Bank just dropped out in many villages due to water source controversy. The problem of potable water is just not confined to one specific area, it is now a worldwide crises. During a visit to Chaipang (a tribal community of Nepal) villages of Dhadhing district of Nepal, I had experienced that during summer season, Chaipangi people leave their home for water, and live near the river and streams till the next rain.
On the one hand, where there is a gloomy picture, on the other hand we have age old and tested coping mechanisms. The traditional water management strategy is one of the solutions that do not need much effort and capital. We need to revive and repair old water sources in the villages. Once, at a water conservation seminar in Dehradun, the eminent environmentalist and journalist, the late Dr Anil Agarwal (founder-editor Down To Earth) had given a stunning presentation that the future of water would depend on how much we could catch the rain water and how much we respect traditional wisdom. He was much concerned about global warming. He was a great inspiration for me. I have devoted my first documentary entitled 'Himalaya Par Aapada' (Disaster in Himalaya) to him. Furthermore, my water story went ahead with making a research documentary (Hydrological studies on Gangotri Glacier) for the National Institute of Hydrology (NIH), Roorkee, where I experienced the impact of global warming on the glacial systems of the Himalaya.
Later on, I came across the efforts of Dr Harshwanti Bisht a famous mountaineer and came to know the madness of the Kawarias destruction of Bhoj trees (an endangered species) in Gangotri - Gaomukh glacier area. In the developed countries, global warming is now a big political issue and it is starting to have a great impact and put pressure on developing countries. If we want to save water, we need to start working out from the source.

Reference: Published in Garhwal Post -

Link: http://www.garhwalpost.com/news_detail_right.php?news_id=26

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13-Khatir press confrence

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Another perspective

my dear friend Mathew Antony’s suggestion….

thanks,
JP

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