The Pebble
The Pebble
By Zbigniew Herbert
The pebb The pebble
is a perfect creature
equal to itself
mindful of its limits
filled exactly
with a pebbly meaning
with a scent that does not remind one of anything
does not frighten anything away does not arouse desire
its ardour and coldness
are just and full of dignity
I feel a heavy remorse
when I hold it in my hand
and its noble body
is permeated by false warmth
- Pebbles cannot be tamed
to the end they will look at us
with a calm and very clear eye
Translated by Peter Dale Scott and Czeslaw Milosz
I have harbored great admiration for Polish poets and intellectuals (Refer my earlier post 'Quintessence of Cognac") . Perhaps no other nation has sacrificed as many intellectuals during holocaust as Polish people. Poland lost six million people during Second World War, nearly one-fifth of its population and a large number of them were the best minds of the nation.
Polish poets like Czeslaw Milos and Wislawa Szymborska are more familiar to literary readers today as they are Nobel Prize winners. The truth is that there are many more great polish poets waiting to be discovered by readers. I made a discovery of Zbigniew Herbert in an anthology of Contemporary World poetry. I liked his unadorned style and later came to know that he is ranked as one of the greatest polish poets of 20th century.
Herbert admires and honors the most humble and ignorable of natural objects like the pebble in this marvelous poem. Unlike humans, Herbert's pebbles are dignified, self-contained, and equivalent to their essence. He is interested only in the concrete essence. His concentration on objects was part of his determination to see things as they are, to give them their proper names. There is an objective significance and certain compassion when he says "filled exactly with a pebbly meaning".
Herbert in a way makes an implicit contrast of pebble with man, who is not always equal to himself; who does not let himself be tamed and who once tamed can no longer look at his fellow human beings calmly in the eyes (like the brutal SS men of Nazi era. May be the only way to survive the pressures of such times in history is to acquire the features of a pebble) . To the poet who suffered under, and had seen the collapse of shameful ideologies, his commitment to concrete particulars stands as a fundamental contrast to the insincere half-truths of human beings.
In a 1984 interview, Herbert talked about what distinguishes him from contemporaries like the poet Czeslaw Milos:- “Writing — and in this I disagree with everybody — must teach men soberness,” he said, adding emphatically: “to be awake.” For Herbert, who knew along with Goya that the sleep of reason produces monsters and tyranny, “to be awake” means to refuse the witchcraft of reduction and rhetoric and to seek instead the beguiling magic of the mundane and close to hand…
The last two stanzas of the poem show his radically understated style and stand as a corollary to his quest for things-in-themselves. He does a sort of cleansing of language to hold a 'Pebble' in its pristine purity.
I simply loved this poem.
