Delhi Tourism

History

Delhi : A Transition through Time - As you walk along the narrow bylanes of this city of dreams, tread softly. Every crumbling wall has a story to tell. Every yesterday is replete with history. Rulers have come and gone. The city has lived through wars and resurrection, repeatedly rising from the ashes.

Cradling civilisations since times immemorial Delhi goes back hundreds of thousands of years back into time

Stone tools belonging to early stone age were discovered from the Aravalli tracts in and around Anangpur, the Jawaharlal Nehru University Campus, the northern ridge and elsewhere - evidence that the Early Man lived here.
Excavations at Mandoli and Bhorgarh in east and north-west Delhi respectively have thrown up remains of chalcolithic period dating back to 2nd millennium BC, 1st millennium BC as well remains of 4th-5th century AD have been traced here.
The excavations of the ancient mound of Indraprastha, capital of the Pandavas, located withing the fold of the sixteenth century Purana Qila revealed evidence of continuous habitation of the site for almost 2500 years.
According to the Mahabharata, the Pandavas founded their capital Indrapratha in the region known as Khandava-prastha. Delhi was also witness to the glories of the Maurya Empire during 3rd century BC. The Ashokan edict engraved on a rock in East of Kailash as well as remains found in Purana Quila excavations belonging to the Mauryan period point to Delhi’s importance during this era.

The first city of Delhi, Lal Kot was founded by the Tomar ruler Anangpal, in the 11th century. It was extended to Qila Rai Pithora by King Vigraharaja IV (Circa 1153-64). Qutbuddin Aibak became Delhi’s first Sultan in 1206 and laid the foundations of the Qutb Minar, India’s tallest stone tower at the site of the first city of Delhi subsequently the kings of the Sultanate dynasties, Khaljis, Tughluqs Sayyids and Lodis continued to build. New cities as Delhi grew.

The second city around Siri by Alaud-Din Khalji (1296-1316); Tughlaqabad, the third city built by Ghiysud-Din Tughlug (1321-51); Firuzabad, the fifth city of Delhi, is now represented by Kotla Firuz Shah, founded by Firuz Shah Tughluq (1351-88).


It was Humayun who laid the foundations of the sixth city - Dinpanah. This was destroyed and reconstructed as the Purana Qila by Sher Shah Suri however, it was the Mughals who took Delhi to the zenith of architectural glory.

While some construction activities did continue during the reign of Akbar (1556-1605) and Jehangir (1605-27), it was Shah Jehan (1628-58) who built the seventh city, Shahjahanabad which remained the Mughal capital until 1857.

The British in 1911 shifted the capital of India to Delhi. The eighth city of New Delhi took shape in the imperial style of architecture. From then to now Delhi continues to throb with vitality and hop

The ruins and ramparts still stand tall in dignity - and amidst them rise modern buildings and giant skyscrapers. It’s a breathtaking synthesis of yesterday and tomorrow, the holding on to the past and surging ahead to the furture.
Call it what you will.. it’s Delhi.

Delhi Travel Guide

One of the most fascinating aspects of Delhi is the “visibility” of its historic past. Were it not for the demands of urbanization, large portions of the city could well be earmarked as archaeological parks. This is because the rulers of successive dynasties between the 13th and the 17th centuries established seven cities in different parts of Delhi. A chronological review of these cities fortunately also serves as a suitable itinerary for tourists and highlights the important monuments amongst the 1300 officially listed.

Delhi’s history goes much further back in time than the 13th century. In 1955, excavations at the Purana Qila revealed that the site was inhabited 3000 years ago. Ware pottery known as Painted Gray Ware and dated to 1000 BC confirmed this as being yet another site associated with the epic Mahabharata. The excavations also cut through houses and streets of the Sultanate, Rajput, post-Gupta, Gupta, Saka-Kushan and Sunga periods, reaching down to the Mauryan era (300 BC), thus revealing almost continuous habitaion. The association of Emperor Ashoka (273-36 BC) with Delhi has come to light with the discovery of a Minor Rock Edict in the locality known as Srinivaspuri.

A clearer picture of the city emerges from the end of the 10th century, when the Tomar Rajputs established themselves in the in the Aravalli hills south of Delhi. The isolated, rocky outcrop facilitated the defence of the royal resort which the Rajputs called Dhilli or Dhillika. The core of the first of the seven cities was created by Anangpal Tomar who is said to have built Lal Kot, which is the first known regular defence work in Delhi. The Chauhan Rajputs later captured Delhi from the Tomars . Prithviraj III, also known as Rai Pithora, extended Lal Kot, adding massive ramparts and gates, and made Qila Rai Pithora the first city of Delhi.

Today, only the ramparts are visible near the Qutub Minar , though the city is known to have had several Hindu and Jain temples. Prithviraj was ruling Delhi when Muhammad of Ghur invaded India, and died fighting the invader at the Second Battle of Tarain in 1192. Ghur returned, but left as his viceroy, his slave Qutbuddin Aibak.

In 1206, Qutbuddin crowned himself as the Sultan of the Slave or Mamluk dynasty, and became the first Muslim ruler of Delhi. Qutbuddin, had however, commenced his architectural career even before he chose to become the sultan. The mosque was essential to the Islamic emphasis on congregational prayer, while the burial of the dead, as opposed to cremation, introduced the tomb to India.

The earliest of these Islamic structures are to be seen in the Qutub complex and the incorporation of many Hindu elements is due to the ready availability of building material and the use of local craftsmen. Qutbuddin raised the Quwwat-ul-Islam (might of Islam) mosque, which is the earliest extant mosque in India. Within its spacious courtyard he retained the 4th century Iron Pillar, probably the standard of an ancient Vishnu temple. The pillar has puzzled scientists, as its iron has not rusted in all these centuries.

In 1199, Qutbuddin raised the Qutub Minar either as a victory tower or as a minaret to the adjacent mosque. From a base of 14.32 mtrs it tapers to 2.75 mtrs at a height of 72.5 mtrs. It is still the highest stone tower in India, one of the finest tower Islamic structures ever raised and Delhi’s recognized landmark. It was completed by the Sultan’s successor and son-in-low, Iltutmish. The tomb of Iltutmish, which he himself built in 1235, is nearby. Its interiors are profusely decorated with calligraphy, thought the dome has collapsed.

The Khalji rulers displaced the Slave dynasty in 1290, and when Alauddin Khali ordered renovations of the mosque in 1311, he also raised the impressive Alai Darwaza, the southern entrance to the mosque. It is the first example of a building employing wholly Islamic principles of construction, including the true arch. In 1303, Alauddin, established the second city of Delhi, called Siri, of which nothing remains but the embattlements. He also had dug a vast reservoir, Hauz Khas, to sypply water to his city.

Contemporary historians describe the Delhi of that time as being the “envy of Baghdad, the rival of Cairo and the equal of Constantinople”. (for the sake of convenience, tourists visiting the Qutb complex could also see the Tomb of AdhamKhan and Zafar Mahal in Mehrauli, and the Tomb of Jamai-Kamali behind the Qutb Minar. These, however, belong to a later date.) The Khalhjis were replaced by the Tughlaq dynasty in 1321. of its eleven rulers, only the first three were interested in architecture and each of them established a new city.

Qutub Minar
Qutab-ud-din Aibak, the first Muslim ruler of Delhi, commenced the construction of the Qutab Minar in 1200 AD, but could only finish the basement. His successor, Iltutmush, added three more storeys, and in 1368, Firoz Shah Tughlak constructed the fifth and the last storey. The development of architectural styles from Aibak to Tughlak are quite evident in the minar. The relief work and even the materials used for construction differ.

Some believe it was erected as a tower of victory to signify the beginning of the Muslim rule in India. Others say it served as a minaret to the muezzins to call the faithful to prayer. No one can, however, dispute that the tower is not only one of the finest monuments in India, but also in the world.

The 238 feet Qutab Minar is 47 feet at the base and tapers to nine feet at the apex. The tower is ornamented by bands of inscriptions and by four projecting balconies supported by elaborately decorated brackets.

Even in ruin, the Quwwat Ui Islam (Light of Islam) Mosque in the Qutab complex is one of the most magnificent in the world. Its construction was started by Qutab-ud-din Aibak in 1193 and the mosque was completed in 1197. additions were made to the building by Iltutmush in 1230 and Alla-ud-din Khilji in 1315.

The main mosque comprises of an inner and outer courtyard, of which the inner is surrouded by an exquisite collonade, the pillars of which are made of richly decorated shafts. Most of these shafts are from the 27 Hindu temples which were plundered to construct the mosque. It is, therefore, not surprising that the Muslim mosque has typical Hindu ornamentation.

Close to the mosque is one of Delhi’s most curious antiques, the Iron Pillar. Dating back to the 4th century AD, the pillar bears an inscription which stated that it was erected as a flagstaff in honour of the Hindu god, Vishnu, and in the memory of the Gupta king Chandragupta II (375-413). How the pillar moved to its present location remains a mystery. The pillar also highlights ancient India’s achievements in metallurgy. The pillar is made of 98 per cent wrought iron and has stood. 1,600 years without rusting or decomposing.

Red Fort

Red Fort is one of the most magnificent palaces in the world. India’s history is also closely linked with this fort. It was frorth here ht the British deposed the last Mughal ruler, Bhadur Shah Zafar, marking the end of the three century long Mughal rule. It was also fromits ramparts that the first prime. Minister of India, pandit Jawharlal Nehru, announced to the nation that India was free form colonial rule.

The mughal emperor, Shah Jahan, after ruling from Agra for eleven years, decided to shift to Delhi and laid the foundation stone of the Red Fort in 1618. For its inauguration in 1647, the main halls of the palace were draped in rich tapestry and covered with silk from china and velvet from Turkey. With a circumference of almost one and a half miles, the fort is an irregular octagon and has two entrances, the Lahore and Delhi Gates.

Form the Lahore Gate, a visitor has access to the Chatta Chowk (vaulted arcade ) which as once a royal market and housed court jewelers, miniature painters carpet manufacturers, workers in enamel, silk weavers and families of specialized craftsmen. The road from the royal market leads to the Nawabarkhana (band house) where the royal band played five times a day. The band house also marks the entry into the main palace and all visitors, except royalty had to dismount here.

The Diwani-I-Am is the Red Fort’s hall of public audience. Built of sandstone covered with shell plaster polished to look like ivory, the 80 x 40 feet hall is sub-divided by columns. The Mughal emperors would hold court here and meet dignitaries and foreign emissaries. The most imposing feature of the Diwqani-I-Am is the alcove in the back wall where the emperor sat in state on a richly carved and inlaid marble platform. In the recess behind the platform are fine examples of Italian pietra-dura work.

The piece de resistance of the fort, the Diwan-I-Khas was the hall of private audience. The most highly ornamented of all Shah Jahan’s buildings, the 90 x 67 feet Diwani-I-Khas is a pavilion of white marble supported by intricately carved pillars. So enamoured was the emperor by the beauty of this pavilion that he engraved on it the following words: If there is paradise on the face of this earth, it is this, it is this.”

Richly decorated with flowers of inlaid mosaic work of cornelian and other stones, the Diwan-I-Khas once housed the famous Peacock Throne, which when it was plundered by Nadir Shah in 1739, was valued at six million sterling.

Residence of the senior queens, the Rang Mahal (hall of colours ) has a central hall surrounded by six apartments. The apartments are assured privacy by intricately carved screens which do not hinder the free flow of fresh air and light. The stream of paradise flows through the main hall, and is marked in the centre by a huge lotus shaped marble basin with an ivory fountain.

Constructed by Emperor Aurangzeb in 1662 as his private mosque Moti Masjid (pearl mosque) is built with highly polished marble. The mosque is a good example of the Mughal fetish for symmetry with cusped arches, sinuous decorative designs, carved cornices and bulbous domes.

Other building of interest in the Red Fort complex are the Musamman Burg (Octagonal tower), Khwabgah (bedroom) and the Hammam (royal baths).


Purana Quila

Covering a circuit of about a mile, the walls of the fort have three gates and are surrounded by a mat fed by the river Yamuna.

The wall was built by Humayun while the buildings in the fort are attributed to Sher Shar. The notable buildings that have survived in the fort are the Sher Mandal and the Quila-I-kholina Mosque. Sher Mandal is a two storeyed octagonal tower which was used by Humayun as his library. The mosque, built around 1541-42, is a landmark in Indo Islamic architecture.


Jantar Mantar

Under patronage from the emperor, he set on himself the task of correcting the existing astronomical tables and updating the almanac with more reliable instruments. Delhi’s Jantar Mantar is the first of the five observatories that he built with large masonary instruments.

At first sight, the Jantar Mantar appears like a gallery of modern art. It is, however, an observatory. Sawai Jia Singh II of Jaipur (1699-1743), a keen astronomer and a noble in the Mughal court, was dissatisfied by the errors of brass and metal astronomical instruments.

The architect has shown skill by enriching each part with moulding, bracketed openings, marble inlay, carving and other establishments. A variety of materials have also been used to construct the small mosque (168 x 44 feet). The entrance arch is of marble, the spandrels of red sandstone studded with marble bossed, the columns and pilasters of black and white marble.




Humayun’s Tomb

The first mature example of Mughal architecture in India, Humayun’s Tomb was built by the emperor’s grieving widow, Haji Begum, in 1565 AD.The mughals brought with them a love for gardens, fountains and water.

Constructed with red sandstone and ornamented marks the beginning of a new tradition of ornate style which culminated in the Taj Mahal of Agra.

Designed by the Persian architect, Mirza Ghyas, Humayun’s Tomb shows a marked shift from the Persian tradition of using coloured tiles for ornamentation.


Located in the midst of a large square garden, screened by high walls, with gateways to the south and west, the tomb is a square tower surmounted by a magnificent marble dome. The dome stands 140 feet from the base of the terrace and is topped with a copper pinnacle.

In addition to the remains of Humayun, the complex also houses the grave of many other distinguished members of the Mughal dynasty.


Jama Masjid

Work on the Jama Masjid mosque was begun in 1650 by the Mughal Emperor Shah Jahan to complement his palace at the Red Fort. More than 5,000 workers toiled for six years to complete the largest mosque in India. Every Friday, the emperor and his retinue would travel in state from the fort to the mosque to attend the congressional prayers.

A fine example of Mughal architecture, the Jama Masjid has three gateways. The largest and highest on the east was reserve exclusively for the emperor. The main courtyard of the emperor. The main courtyard of the mosque is 408 square feet and paved with red stone. In the centre is a large marble tank in which the devout wash before attending prayers.

The main mosque is crowned by three onion shaped domes made of white marble and inlaid with stripes of black slate. On the north and south of the complex are two 130 feet high minarets which offer a spectacular bird’s eye-view of the city. Jama Masjid is not only architecturally beautiful, but also a place of great religious significance as it houses a hair from the beard of the Prophet and also a chapter of the Holy Quran written by him.


Safdarjung’s Tomb

Built in 1753 by Nawab Shauja-ud-Daula to house the remains of his father, who was a minister in the Mughal court, the tomb is referred to as the “last flicker in the lamp of Mughal architecture.” It shows how the grace and simplicity of he Mughals had been overtaken by decadence. The tomb also has a mosque.

Representing the last phase of the Mughal style of architecture, Safdarjang’s Tomb stands in the centre of an extensive garden.



India Gate

Located on Rajpath, the road which leads to the magnificent Rashtrapati Bhawan, the gate is 160 feet high with an arch of 138 feet.

Built as a memorial to commemorate the 70,000 India soldiers killed in World War I, India Gate was designed by Sir Edwin Lutyens and completed in 1931.




Rashtrapati Bhawan

At one time, 2,000 people were required to look after the building and serve the Viceroy’s household. The lodge also has impressive garden called the Mughal Garden, which is open to public twice in a year, usually in February and March.

Formely the Viceregal Lodge, the building is the highlight of Lutyen’s New Delhi and was completed in 1929 at a cost of 12,53,000 pound sterling. Located in an area of 130 hectares, the palace has 340 rooms.



Rajghat

A simple open platform inscribed with the Mahatma’s last words, ‘Hey Ram’ (Oh God) is set in a garden with fountains and a variety of exotic trees.

The mortal remains of Mahatma Gandhi were cremated on this spot on the west bank of the river Yamuna on the evening of January 31, 1948.

Fairs & Festivals of Delhi

Delhi’s festival calendar begins with the Republic Day parade on 26th January. It is the most colorful of the city’s festivals events and also the biggest crowd-puller. Hundreds of thousands people line the route from Rajpath to the Red Fort to watch the pageant of solders, camel crops, armored regiments, brass bands, folk dancers, school children, war veterans and elaborate floats representing the cultural diversity of India. The two hour long parade is usually rounded off with a much-awaited spectacular fly - passed presented by Air Force squadrons. A special display of folk dances also takes place at the Talkatora Stadium. Three days later the Beating of the Retreat takes place at Vijay Chowk. Various bands of the armed forces set the pace for marching troops against the grand backdrop of Rashtrapati Bhawan.

In a much lighter vein, winter also witnesses the Vintage Car Rally when the ‘grand old ladies’, sprucedup for the occasion, make the long haul from Delhi to Sohna. Winter is also the time for the popular Balloon Mela, the Surajkund Crafts Mela on the outskirts of Delhi, and Delhi Tourism’s Gardens Festivals. The latter is a visual feast, for Delhi a blaze with flowers in the month of February Delhi Tourism also organizes cultural performances during the Garden Festivals.



Holi, the festivals of colors, marks the onset of spring. In August, the festival Janamashtami, celebrates the birth of Lord Krishna. Ballets in the Kathak dance style depict the life of Lord Krishna.

In early October, a festival specific to Mehrauli, in Delhi, takes place. This the Phulwalon - Ki - Sair or the Flower sellers Procession, which originated in the 16th century. The highlight is a prossional of people carrying decorated floral fans, which are blessed at the shrine of the 13th -century Sufi saint, Khwaja Qutbuddin Bakhtyar Kaki and at the hindu temple of Jogmaya, both in Mehrauli. The procession ends with a formal ceremony at the Jahaz Mahal, a 16th - century pleasure resort by the side of a lake.

Also in October is Dussehra, commemorating the victory of Lord Rama over the demon king, Ravana. A month - long Ram Lila dance festival is organized by the Bhartiya Kala Kendra, depicting seens from the epic Ramayana, while on Dussehara evening itself, gigantic effigies of Ravana are set a fire. The biggest venue for this event is the Ram Lila ground, of Asaf Ali Road. Delhi Tourism organizes the popular Qutab Festival in October. Musicians and dancers performs at night by the city’s 12th -century land mark, the Qutab Minar.

Diwali, the festivals of lights is preceded by several Diwali Melas, where food, handicrafts and a variety of earthern lamps and candles are sold. Large communities of Indians from different states reside in Delhi. As a result, regional festivals are also celebrated in the capital.

Shopping in Delhi

Delhi is unique in that it has representative outlets for the handicrafts of each Indian state. This in it self presents a staggering array of goods, and at very affordable prices. In the last decade there has been a dramatic change in Delhi’s markets. Upwardly mobile lifestyle has led to greater sophistication in display and upgrading of various markets in terms of availability of items.

Delhi has long been the most important trading centre in Northern India. Many of its localities, like Sheikh Sarai and Yusuf Sarai, derive their names from medieval market towns which serviced the bygone, shifted capital cities of Delhi. Today, all of these have become a part of the rapidly expanding metropolis. Instead of market towns, there are specific whole sale markets or”mandi’s” scattered throughout the vast city, and their’s is another story.

For visitors to Delhi, shopping is high on the list of “things to do”. Tourists find a wide choice of items- such as carpets, silks, jewellery, leather and silver ware, handicrafts and handprinted cotton - that are synonymus with India. Each item is available in a range of prices, depending on the quality and the outlet.



Another interesting is that each market has its own, distinctive ambience and adds its own flavour to the experience of shopping. Haus Khas Village, Connaught Place and Chandni Chowk are worlds apart from one another, yet each of them reflects an aspect of this many - faceted city. In fact one of the fascinating ways of understanding a city is by wandering through its market places for it is here that contemporary culture is most visible to the outsider.

The exploration of Delhi’s markets could be begin at Chandni Chowk. Despite the pressures of traffic and population, its historic land marks servive to tell the story of the last three centuries. Many of the shops here are more than 100 years, old and the mesh of lanes and bylanes is full of superises. Leading off Chandni Chowk are Dariba, the silver market, Khari Baoli, the spice market and Kinari Bazar for trimmings and tinsel. In some of these bazaars the item for sale are manufactured at site, which lands a special charm to the shopping experience well integrated into the culture of the old city, these bazaars offer the visitor a glimpse of life in Old Delhi.

There are some antique stores behind Jama Masjid, and more lining the entrance to the Red Fort, where the Meena Bazar once was. These offer items arranging from jewellery to painting and furniture, and cater almost entirely to tourists. Connaught Place, New Delhi’s original shopping arcade was planned as part of the Imperial capital in 1911. On Baba Kharak Singh Marg, are the numerous government State Emporia. Which afford a glimpse of the handicrafts of each state. So does the recently- inaugurated new Central Cottage Industries Emporium on Janpath. Across the road from “Cottage” as it is popularly known, are the inviting stalls along Janpath.

The Tibetans sell jewellery and ritual objects, while closer to Connaught Place are available embroideries from Gujarat and Rajasthan, readymade garments and bric- a - brac. When the wheather is good it is pleasant to amble down Janpath, where bargaining is the order of the day. Sundernagar Market is a fine place to shop for antiques and silver jewellery. The well - appointed stores keep a choice selection, especially of silver jewellery from Ladakh, semi- precious stones, some textiles and brass, copper and silver object d’art.

Not far from Sundernagar is the Crafts Museum Shop, attached to the museum in Pragati Maidan. Moving further south are the up market shopping centers of South Delhi- South Extension, Greater Kailash I and II, Green Park and Hauz Khas Village.

The haunt of the nouveau riche, these markets offer a combination of ethnic chic and designer lebels, Indian and international. Hauz Khas Village has set a very interesting trend as market. Over the countries, a village had developed around the medieval college and the tomb of Firoz Shah Tughlaq. A few years ago, an association called Dastakar - set up a showroom in the village. Now the village has a plethora of boutiques, galleries and restaurants which coexist with the buffalos, cow pats and men smokking hookahs on charpoys. Far from being a deterrant, the “rural” ambience is a positive attraction.

Other villages like Mehtauli, Khirkee and Lado Serai are fast following suit. Seeing the popularity of crafts bazaars held periodically in the capital, Delhi Tourism has set up a permanent outlet for craftspersons at Dilli Haat, where space and the availability of Indian cuisines make the visit a very pleasant experience. A more up market outlet for Indian handicrafts and antiques is the bazaar near the Qutub Minar.

The Santushi Shopping Arcade opposite the Ashoka Hotel has become another popular up market haunt. Developed by the Air Force Wives Association, it has a select number of boutiques where apparel, furnishings and accessories are available. A restaurant and patisserie add to the quiet charm of the place.

Arts & Crafts in Delhi

As the seat of empires for centuries, and with royalty as patrons, Delhi has long been a cultural center, attracting the best of painters, musicians and dancers. Though today’s patrons have changed, Delhi is more than ever the cultural capital of the country, and is also visited by foreign dancers, musicians and theatre groups en route to the Far East.

October to March is the “cultural season” of Delhi, during which time a plethora of events take place in the fields of the visual and performing arts. The best of the performing arts representing the range of classical dance forms and schools of music from all over India can be viewed at Kamani Auditorium, the Chamber Theatre at Triveni Kala Sagam, FICCI Auditorium, the India International Center, Siri Fort, LTG Auditorium, Pragati Maidan and Sri Ram Centre, where Delhites can enjoy the privilege of seeing, and listening to, the legendary gurus as well as their disciples.

Music lovers look forward to the Shankarlal, Dhrupad and Tansen Festivals in February and March and the Vishnu Digamber Festival in August, at which India’s greatest musicians perform Roshanara Festivals of music and dance organized by Delhi Tourism.



October witnesses the popular Qutub Festivals where reputed musicians and dancers offer captivating renditions with the Qutub Minar as the backdrop. Film buffs eagerly await the National Film Festivals and the bi-annual International Film Festival, held in January. Apart from commercial cinema houses, films are periodically screened at the Max Mueller Bhawan, the Alliance Francaise, the Japan Cultural Centre, the British Council Division, the Russian Centre for Science and Cultural and the Hungarian Information Centre.

Theatre in Delhi receives a constant impetus from the presence of the National School Of Drama. The variety offered ranges from Hindi translations of European plays, to regional theatre, as well as folk forms. Delhi’s numerous art galleries reflect the country’s burgeoning art scene. Well-known and new artists from all over the country display their works in these galleries. Notices of exhibitions are given in daily newspapers and specific city magazines.

Among the active galleries are Art Heritage, Triveni Art Gallery, Sridharani Gallery, Art Today, Vadehra Art Gallery, Eicher Gallery, Gallery 42, Dhoomi Mal Art Centre, Gallery Escape, Lalit Kala Akademi, LGT Gallery, Gallery Ganesha, Gallery steps, AIFACS, Max Mueller Photo Gallery, British Council Divisio Gallery, Gallery Romain Rolland, Khirkee Gallery, the Village Gallery and at times the American Centre.

Traditional crafts, too have long been practiced in Delhi. The city was particularly well known for its silver and gold enameling, and zari or embroidery in gold thread. Master-craftersmen in both crafts still live in the Walled City where there are also miniature painters.

Delhi also has fine potters, wooden toy makes, kite makers and lacquer craftsmen. In Old Delhi it is not unusual to come upon a traditional workshop. The wealth of Indian handicrafts can be enjoyed at the Crafts Museum at Pragati Maidan, at the State Emporia on Baba Kharak singh Marg, and at Dilli Haat, which is Delhi Tourism’s popular venue for crafts bazaars throughout the year.

Food & Specialities

For gourmets, Delhi is synonymous with Mughlai and Frontier cuisines. The best of Mughlai cuisine can be enjoyed at Karim, (both in Jama Masjid and Nizamuddin) where recipes, dating from the times of the Mughals have been the closely - guarded secret of generation of chefs.

Delhi Ka Aangan (Hyatt Regency), Darbar (Ashoka Hotel) and Corbetts (Claridges) are among the many options available in the expensive range, while Gulati Restaurant (Pandara Market), Angeethi (Asiad Village) and Degchi (Regal Building) are among those catering to more modest budgets. The finest Frontier cuisine is available at the Bukhara (Maurya Sheraton), Frontier (Ashoka Hotel) and Baluchi (The Hilton).

At the other end of the scale are many popular road side eateries around Jama Masjid and Nzamuddin where kababs, rotis and biryani are order of the day. Every five - star hotel in the city has a Chinese restaurant, while most markets in South Delhi have a medium - budget Chinese restaurants. The popularity of this cuisine can be gauged by the immumerable Chinese food outlets of the “meals- on - wheels” and kiosk variety.

The growing sophistication Delhite’s palate is discernable in the increasing number of speaciality restaurants- EI Arab (Regal Building), Dum Pukht or the process of slow cooking developed in Awadh (Maurya Sheraton), Kashmiri food at Chor Bizarre (Hotel Broadway), Thai food at Baan Thai (The Oberoi) and Sukothai (Hauz Khas Village), Japenese food at Tokyo (Ashoka Hotel) and Osaka (Hauz Khas Village), Tibetan food at eateries near Chanakya Theatre, and Mexican food at Rodeo (Connaught Place).



Another indication is the frequency and popularity of food festivals organised by Hotels. South Indians food is another favorite, the vegetarian variety of which is best in enjoyed at Sagar (Defence Colony), Sagar Ratna (Lodhi Hotel) and Dasaprakash (Hotel Ambassador). Coconut Grove (Ashok Yatri Niwas) offers excellent non- vegeterian cuisine from South India.

The best of continental cuisine can be eaten at five - star hotels, for instance La Rochelle (The Oberoi), The Orient Express (Taj Palace) and Captains Cabin (Taj Man Singh), though numerous multi - cuisine restaurants also offers continental food. Keeping pace with the changing face of the city are the growing number of fast food outlets which serve all manner of cuisines.

A delightful outlet offering a range of Indian cuisines are the food stalls ar Dilli Haat, here, the cuisine of different states is made available at very moderate rates. Set in the mindset of a spacious crafts bazaar these cafes are a very pleasant place to enjoy food.

For the more intrepid, eateries such as those at Paranthe wali gali, or chaat at Bengali Market and Sunder Nagar, bhelpuri at Greater Kailash and sweetmeats from Annapoorna and Ghantewala can be part of the gastronomical tour of Delhi.

Delhi is also synonymous with the omnipresent tandoori chicken and tandoori roti, which, when freshly had from the tandoor, makes a delicious meal. This is often available at roadside dhabas at a moderate cost.

Delhi Travel Information

Sightseeing Packing

For daily travelling, must consist of a hand towel, a small bar of soap, a toilet roll, face tissue or handkerchiefs and a bottle for water.

Travel Documents

It is safe to keep all the travel documents, consisting of your passport, tickets, confirmations of bookings, insurance policies , traveller`s cheques, permits, visas etc. and of course money in your hand luggage.. Hotel laundries are fast and good.


General Information :

Area : 1483 sq kms

Altitude : 239 m above sea level



Population : 9,370,475

Males : 5,120,733

Females : 4,249,742

Literacy Rate : 76.1%

Languages : Hindi, Punjabi, Urdu, English

Climate : The city has an extreme climate. December and January are chilly with night times lows of 4 °C. The city has spring months in February and March. The summer months of May & June are scorchingly hot with mercury soaring to a high of 46 °C. The city does not have much of rainy season. The monsoon lasts from July to September.

How to Reach Delhi

Air : All the major National and International Air Lines have their flights operating from Delhi’s Indira Gandhi International Airport.

Rail : The Indian Railway with their modern and organised network connects Delhi to all major and minor destinations in India. There are three important Railway Stations in Delhi namely New Delhi Rly. Station, Old Delhi Rly. Station and Hazarat Nizamuddin Rly. Station.

Bus : Delhi is well connected by road to all major destinations in North India. The Inter State Bus Terminus (ISBT) are located at Kashmiri Gate, Sarai Kale-Khan and Anand Vihar. Delhi Transport Corporations of the neighbouring states provide frequent bus services through Air Conditioned, Deluxe and Ordinary Coaches.

Travel Tips:

Railway Assistance :
International Tourist Bureau
(for Train Reservation & Indrail Passes)
1st floor, New Delhi Railway Station Paharganj side
Timing : 9.30 am to 6.00 pm



International & Domestic air Ticketing :
Delhi Tourism
N-36, Bombay Life Building,
Middle Circle, C.P., New Delhi - 110001
Timing : 9.30 am to 6.00 pm

For Extension of Visa :
The foreigner’s Regional Registration Office (F.R.R.O.)
Hans Bhawan, Tilak Bridge, New Delhi
Timing : 9.30 am to 1.30 pm; 2.00 pm to 4.00 pm

Permits for Restricted Areas :
Ministry of Home Affairs,
Lok Nayak Bhawan, opp. Khan Market, New Delhi
(Monday to Friday Timing : 10 am to 5 pm)

Money Exchange :
(Beyond Bank Hours)
i) State Bank of India, I. G. I. Airport, 24 hours
ii) Central Bank of India, Ashok Hotel, 24 hours
iii) Delhi Tourism, N-36 Bombay Life Building, Middle Circle, C.P. New Delhi - 110001
(Monday to Saturday) Timings : 9.30 am to 6.00 pm

Prepaid Taxi/Auto :
Prepaid Taxi & Auto available from airport (Domestic & International), all Railway Stations and Bus terminals & other important places (Beware of touts)